I figured I'd do a monthly 'what I'm listening to' kind of thing. This could be viewed as a lame placeholder kind of post. And probably it is. But it's my blog! So there!
I've almost always questioned lead singers of bands who write, or help write, the songs and their need to go solo. Or have a solo disk.
I get, say, the members of someone like Fleetwood Mac who have three lead singers, and who only get 3-4 songs every few years (well, when they made records). But the Brandon Flowers' of the world? Phil Collins? I suppose it's more ego over art, but who knows. Neither of the latter two sound much, if any, different than their band work.
So, I had a raised eyebrow at Matt Berninger - lead singer and lyricist for the National - releasing an album on his own. Album is the key word, as he's of that ilk where vinyl is preferred. As a New Yorker cartoon nailed it with: "I like vinyl for its expense and inconvenience". I'm sure it has its qualities, but my aging ears probably couldn't tell the difference. And you can't take the music with you.
Serpentine Prison is and isn't like the National.
Admittedly, when you you are a baritone, your options to change things up are slightly more limiting. Berninger's voice is fairly distinctive and he does have a certain style, which he doesn't much try to abandon here. Some of the music tries to deviate - but not as hard as one would want.
"Silver Springs" (not a Fleetwood Mac cover) is hitting the marks for me. I'd say the chorus more than verses, but it might be hard to say 'chorus' too. And it's more about the phrasing and vocal arrangement than it is the words. Gail Ann Dorsey's voice is cool and smooth and fits the song and a good contrast to Berninger's. Dorsey might also sing the best lyric on the disk: "everyone knows where to hang / but they never show you the ropes".
"Loved So Little" is up there too. The strings kind of really help make that song - and the Hammond organ. Digging "My Eyes are T-Shirts" which is the shortest song on the disk, but it does seem to go on much longer.
The music for "Oh Dearie" is so not National-like, and it's very welcome. "All For Nothing" is all too-National like. Right down to the horns.
Actually, I love when the band uses the somewhat muted trumpet and trombone, but keeping them with Berninger makes it harder at times to distinct solo work from the collective. This happens on a number of tunes.
The album is a solid B-. I wanted more out of it, but I wasn't expecting more. To be truly different, I think Berninger would have really had to step out of his comfort zone - and it doesn't seem he was willing to do just that. But at least I have "Silver Springs" to hit repeat on a dozen times per day.