Thursday, January 05, 2017
To Live and Die in LA
La La Land was the choice.
It has such great word of mouth - though I'm now beginning to think whomever they hired as their PR firm has been working overtime to get it on everyone's 'best of the year' lists.
Doubtful it will be on mine.
I don't actually know if it will end up in my Top 5 for viewed in 2017. I can tell you, it would not have made the top 5 for 2016.
I'm not saying La La Land isn't good. It's fine.
I'm saying it's not great and it's not all that.
Sure, I am fine spending $6 (it was a Monday matinee), or even twice that much, to stare at Ryan Gosling for two hours.
TOTALLY worth it.
As it goes, the taglines of 'bringing musicals back' is crap. Don't 'they' say that once every 2-3 years when one comes out? And as musicals go, the songs are mostly lackluster (I liked one).
The big opening number - I thought it was a crappy sound system, but it wasn't. It was so poorly recorded until they got to the end where they sang the same line over and over, I am not sure I truly picked out a word they were singing. When you have a few 100 people performing a sequence like that, it's best to make it worth it.
The acting is good. The story is good, if not horribly original. The cinematography is good.
But when they tout the movie as 'song and dance', you kind of better mean it.
Neither Emma Stone or Gosling (even with his Mickey Mouse Club background) are singers. They're just not. They are not horrible, but when you think someone in a musical, these would be the understudies personal assistants. And when you put their voices together? ehhhhhhhhh.......no. They just don't work together.
Gosling fares better than Stone, but I might just be cutting him a break on this looks. As much as I was intrigued by his "City of Stars", it lost all shine (get it? get it??) when they did it as a duet.
Then there's the dancing. There isn't a lot. I'm not necessarily complaining. The first real number (Stone & Gosling) on the street I thought was good. The one at the Griffith Park Observatory was just wires. It's visually pretty, but the guys running the pulleys and levers do most of the work.
If anything, jazz is more the center of the movie than song & dance, much like the way director Damien Chazelle featured it in Whiplash too.
It sounds like I'm down on the movie - and I'm not. While I read no actual reviews of the film beforehand (but plenty after), I'm not sure what I am missing with all the praise that has been heaped upon it.
Fine is fine. But fine isn't great. ...and Ryan Gosling can certainly pull off a pair of spats.
(oh, 710 doesn't know it yet, but I settled on 24 as our movie goal for 2017. It's ambitious to say the least, but it's two movies per month. It's a 25% increase in the goal of 2016, but a decrease of 4% from actual movies we did see. Anyway, I'm hopeful - and we're already 1/24th in.)
2017 Movie Count / Goal: 01 of 24
Song by: Wang Chung